Blindsight- Climb Every Mountain?

At the Chicago premier of the 2006 documentary film Blindsight I was reminded of Werner Herzog's The Land of Silence and Darknes (1971), on the work of German deaf- blind activist Fini Straubinger. It's disheartening to note the lack of substantive documentaries on blindness to follow Herzog's first feature length production. And Herzog can still be recognized as one of the first directors outside of the disability rights movement to cast actual disabled people in his films (as opposed to coddled Hollywood directors/ actors cloying grabs for Oscar nominations with their touching portrayals of disabled people's lives- a.k.a. the "Blackface" of Ableism). So, just in time and in the spirit of the season, here's my take on the new documentary film.

Blind people are no strangers to strories of overcoming- something producer Sybil Robson- Orr and director Lucy Walker (Devil's Playground) are certainly conscious of in their treatment of extreme sports enthusiast Erik Weihenmayer's bold concept for the film. Responding to an invitation to speak at Braille Without Borders following his historic climb to the top of Mount Everest (Weihenmayer is the first blind man to claim that distinction), Erik encouraged a group of six blind teens from the school to join him on an expedition to climb a 23,000 foot peak. Perhaps the biggest problem with the film is its surplus of "firsts" competing for attention: Braille Without Borders is the first school for the blind in Tibet, where, prior to its founding by Sabriye Tenberken in 1998, blind children were shunned and denied access to education. The word "zhara," meaning blind idiot, is a common slur in the region despite the unusally high number of blind people living in Tibet.

Rejected by the German peace corps because of her blindness, Sabriye traveled on horseback to the outlying villages of Lhasa on her own to recruit students to attend school. In its short ten year history Braille Without Borders has expanded to include a massage therapy training program and a working farm in addition to offering traditional academics, Braille and Orientation and Mobility classes.. Many students undergo a process called "self- integration" wherein they enter the general school system. The school now operates under the leadership of BWB graduate Kyila, one of the students featured in the film.

It is against these dramatic backstories that the teens' thrilling climbing expedition unfolds. As the team begins training exercises each student is paired with an experienced mountaineering guide . Erik coaches the teens on alternative techniques like walking with two staffs on rugged terrain as opposed to the white canes normally used for mobility. Sabriye voices her concerns about common dangers such as altitude sickness but ultimately consents, hoping for a memorable learning experience for her students.

For me the most interesting passages in the film took place in the kids' homes where parents' reactions to the expedition subtly and succinctly reveal truths about family dynamics and the diverse attitudes towards blindness found in Tibetan culture. One father recounts the day that smoke from fish frying on the fire seemed to aggrevate his daughters' vision, adding that he knows that her vision had likely already been affected prior to the incident. Another parent casually jokes with his son that, of the 200 annually reported climbing accidents, "you'll be the one to fall off the mountain."

A couple of summers ago, I worked with blind teens at a training center in Colorado where rock climbing are popular confidence- and trust- building exercises. I carry a lavalier keychain to remind me of that summer in which I scaled a sheer cliff or two of my own- literally. Rock climbing is a great tactile sport when combined with good training in responsible alternative techniques. I can tell you that the ropes and harnesses supporting one's weight in case of a mistep (or grab) are reassuringly thick. It's a sport requiring teamwork, trust, guts and a respect for others' natural strengths and limits. It also challenges you to live in the moment in a way that few activities can.

That said, Blindsight is a film that examines hubris and acceptance in equal parts, and the personalities of Erik and Sabriye are well- suited to the task of examining our complex relationships to each. Tension plays out most vividly during the climb itself as the western- trained mountaineers and Sabriye debate the true measure of a successful expedition, brining to light the underlyuing cultural differences between the American adventurers and Tibetan teens. It's reasonable to add that blind people need not "climb every mountain" in order to acheive self- confidence, particularly in a country already having to contend with things like nationalist oppression, poverty and foreign influence.

Braille Without Borders is itself a western import, though ultimately a valuable one for the people of Tibet. According to the producer in a Q&A following the Chicago screening, the school now has to issue vision tests as its popularity has grown to entice sighted applicants.

Learn more about Braille Without Borders and how to support their efforts in Tibet and India. More information on the film can be found at blindsightthemovie.com.

Blindsight, Chicago Premier

Starts April 11 at the Music Box Theatre in Chicago! Meet the Producer on Opening Night!

Set against the breathtaking backdrop of the Himalayas, Blindsight follows the gripping adventure of six Tibetan teenagers who set out to climb the 23,000-foot Lhakpa Ri on the north side of Mount Everest. The dangerous journey soon becomes a seemingly impossible challenge -- made all the more remarkable by the fact that the teenagers are blind.

Believed by many Tibetans to be possessed by demons, the children are shunned by their parents, scorned by their villages and rejected by society. Rescued by Sabriye Tenberken, a blind educator and Nobel Peace Prize nominee from Germany who established the first school for the blind in Tibet, the students invite the famous blind American mountain climber Erik Weihenmayer to visit their school after learning about his conquest of Everest. Erik arrives in Lhasa and inspires Sabriye and her students Kyila, Sonam Bhumtso, Tashi, Gyenshen, Dachung and Tenzin to let him lead them higher than they have ever been before. The resulting 3-week journey is beyond anything any of them could have predicted.

Directed by Lucy Walker/Produced by Sybil Robson Orr

Released by Spark Entertainment/104 minutes/35mm/MPAA Rated PGIn English and Tibetan with English Subtitles.
For the trailer and more information please visit:

www.blindsightthemovie.com

Starts Friday, April 11: MUSIC BOX THEATRE, 3733 N. Southport Avenue, Chicago, IL 60613, 773-871-6604, www.musicboxtheatre.com

Daily Showtime April 11-17: 7:20pm; Sat/Sun Matinee at 2:30pm
Audio Description for the visually impaired available at all BLINDSIGHT shows.
SPECIAL EVENT AT THEATER ON OPENING NIGHT:A discussion and Q&A will follow the 7:20 show on Friday, April 11 with Sybil Robson Orr, Producer of BLINDSIGHT.

For more information contact Karen O'Hara at karenoh@aol.com or 520-326-0813

My Touch Lecture's Available from College Art Association

In February I had the pleasure of giving a talk on contemporary dis/ abled artists who explore the sense of touch in their work. I now have a copy of the panel discussion on cd for anyone interested in the topic. Maybe if I'm feeling ambitious I can figure out how to put it up on the blog. You'll get to hear me stammering away about the minor offenses of Derrida, the intrigues of Judith Butler and the awesomeness of artitsts Catheine Sherwood, Sandy Yi, Stepehn Lapthisophon and me. You might even be able to hear the old school chook- choocks of a slide projector in the background!

In Search of Vision's Body: the Role of Touch in the Practice of Painting and Architecture can be purchased online, along with the entire catalogue of events from the 2008 College Art Association Conference in Dallas. Be sure to check out my co- panelists and organizers Sanda Iliescu, Thomas Berding, Phoebe Crisman, Nathan Coleman and Derek Brueckner.